And Poynter continues sharing on YouTube and streaming on Twitch. Fischtrom Beacom recently finished a young adult novel about a “newly deaf girl figuring out her deaf identity” with a magical and adventurous backdrop based a little on her own experience becoming newly deaf as a teen. written and directed by sian heder, coda possesses the sunny optimism of so many classics of the genre, a bracing look and feel that’s amplified by its setting in gloucester, mass. More accurate stories about deaf people can also have a positive impact on deaf people, hoping for narratives that reflect their experience. “I see some evidence that each success leads to something a little better.” “There is a central conundrum that any deaf show or movie needs to appeal to hearing people to find real success, but hearing people generally know so little about deafness that what appeals is often sensationalistic or outside the deaf experience,” Fischtrom Beacom said. One film out this week that could move the dial yet further is Coda, a coming-of-age indie movie that was the big talking point of this years Sundance Film Festival and was picked up for. Fischtrom Beacom shared an example: Most hearing people believe that all deaf people can lip-read and can do it from far away, in bad lighting or during a fast conversation, which is “utterly unrealistic.” “The writing in some ways is the most important thing the decisions about what story is told and how to tell it.”īeing able to tell accurate stories about deaf people allows hearing people to develop a better understanding of deaf culture. “While actors are a huge part of improving deaf representation, they are far from the only part,” Fischtrom Beacom. As a CODA (Child of Deaf Adults), Ruby is the only hearing person in her deaf family.
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